Claudia Comte (b. 1983) is a Swiss artist. Her work is defined by her interest on the memory of materials and by a careful observation of how the hand relates to  different technologies. 

Did you know that permanently frozen wood is still very well preserved after 2–4000 years? that wood „remembers“ the climate conditions of the planet? But even stones are not what they seem. Marble entails the Oceans, life under water is crystallized and it would be inaccurate to see this material as hard, since it is liquid at its core. Carving by hand, or scanning or 3D printing all are functions of a knowledge that sculpture possesses and shares with all of us every time a new piece comes to life. What we need to learn is how to see - in every pattern, and, object- an environment, oxygen, the way the conditions of our planet modify the materials. 

Comte studied at the Ecole Cantonale d’Art de Lausanne, ECAL (2004-2007) followed by a Masters of Art in Science of Education at Haute Ecole Pédagogique, Visual Arts, Lausanne, Switzerland (2008-2010). Her body of work is best known for her site-specific installations. The artist's practice is guided by a distinct rule-measurement system of her own creation, wherein each artwork specifically relates to one another. Comte's minimalist approach to art making is equal parts methodical and dynamic; works are infused with a distinct sense of playfulness. Her artistic output incorporates a diverse range of mediums from sculpture, to painting, to various multimedia installations.

Claudia Comte has shown her work in solo and group exhibitions including; The Dreamers, 58th October Salon - Belgrade Biennale (SB), After Nature, Museo Nacional Thyssen - Bornemisza, Madrid (2021), Jungle and Corals, König Galerie, Berlin (2021), The Sea of Darkness, Kunstraum Dornbirn (2020); How to Grow and Still Stay the Same Shape, Castello di Rivoli (2019), Fruits and Jungle, König Galerie, London (2019), I have Grown Taller from Standing with Trees, Copenhagen Contemporary (2019), The Morphing Scallops, Gladstone Gallery, 24th St, New York City (2019), Zigzags and Diagonals, MOCA Cleveland (2018), Swiss Performance Now, Kunsthalle Basel (2018), KölnSkulpture #9, Köln (2017), La Ligne Claire, Basement Roma (2017), NOW I WON, Messeplatz, Art Basel (2017), 10 Rooms, 40 Walls, 1059 m2, Kunstmuseum Luzern (2017), Desert X, Palm Springs, Catch The Tail By The Tiger, König Galerie, Berlin (2016), The Language of Things, with the Public Art Fund, New York (2016), NO MELON NO LEMON, Gladstone Gallery, New York (2015), Easy Heavy III, Haus Konstruktiv, Zurich (2014), Sharp Sharp at David Dale Gallery, Glasgow (2014), If I were a rabbit, where would I keep my gloves?, BolteLang (2013) and Elevation 1049, Gstaad (2013).



This website, and the very nature of it, essentially reflects and embodies the systematic nature of Claudia Comte’s work. It is meant to function as an exhaustive archive of her production to date and demonstrate the playful and permutation-oriented thinking that motivates and is thoroughly embedded within what she does. Anyone interested in the secret of her practice will be able to access it here, for it is fully accessible, and it turns out, not much of a secret (which it just so happens, is its secret). Eschewing medium-specific taxonomies (sculpture, painting, drawing, etc), the site is composed of images, which are organized according to color, grading, as one scrolls down, from black-and-white to more complex color combinations. For those interested in a more traditional presentation, there is a filter section where you can browse according to mediums, techniques or areas of specific interest, or you can even assemble your own combinations of works. 

Chris Sharp, 2017






Master of Art in Science of Education, Haute Ecole Pédagogique, Visual Arts, Lausanne, Switzerland


BA Visual Arts, Ecole Cantonale d’Art de Lausanne, ECAL, Lausanne, Switzerland



Awards & Residencies 


TBA21–Academy Residency: Claudia Comte at Alligator Head Foundation, Port Antonio, Jamaica



The Irène Reymond Foundation Prize, Switzerland

The Current, TBA21-Academy, expedition and residency, New Zealand

Kulturförderpreis 2018 der Alexander Clavel Stiftung, Riehen, Switzerland



International Artists-In-Labs Residency – Russian-Swiss Exchange, Institute of Plant and Animal Ecology of the Ural Division Ipae of Russian Academy of Sciences at Jekaterinburg, Russia

Prix de la Ville du Locle, Triennale de l’Art Imprime Contemporain, Switzerland

Sponsorship Award, Stiftung für die Graphische Kunst in der Schweiz, Switzerland


Swiss Art Award


Pro Helvetia Residency, Johannesburg, South Africa


Kiefer Hablitzel Award, Switzerland

Mobiliar Award, Switzerland

Support from the UBS Foundation for Contemporary Art, Switzerland


Support from the Canton Vaud, Switzerland

Support from the city of Lausanne, Switzerland


Residency Swiss Institute of Rome, Rome, Italy

Residency Vent des Forêts, Meuse, France


Residency galerie Zwanzigquadrameter, Berlin, Germany


Residency Cité des Arts, Paris, Laureate of l’atelier Vaudois du 700ème, France

Support from the Social and Cultural Association for the Swiss in Paris, France





Musée cantonal des Beaux-Arts, Lausanne (CH)

Museum of Modern Art, New York, USA

Baltimore Museum of Art, Baltimore, USA

Julius Baer Collection, Switzerland

UBS Art Collection, Switzerland

Musée Jenisch, Vevey, Switzerland

Collection Museum Haus Konstruktiv, Zurich, Switzerland

Collection Bundesamt für Kultur, Switzerland

The Maurice and Paul Marciano Art Foundation, LA, USA

Fondation Salomon Art Contemporain, Annecy, France

Credit Suisse Collection, Switzerland

Mobiliar Art Collection, Switzerland

Nationale Suisse Art Collection, Switzerland

Collection of the Canton Zurich, Switzerland

Collection of the City of Lausanne, Switzerland

Collection Ecole Cantonale d’Art Lausanne, Renens, Switzerland

Solo exhibitions


The Interview Paintings Ensemble (mise en scène in 12 Acts), Art Basel Parcours, StadtCasino, Basel (CH)

After Nature, Museo Nacional Thyssen - Bornemisza, Madrid

Dreaming of Alligator Head, König Digital, König Gallery

Jungle and Corals, König Galerie, Berlin



The Sea of Darkness, Kunstraum Dornbirn, Austria

Corals and Jungle, CLAUDIA COMTE x KÖNIG GALERIE, Kunsttage Basel, Basel, Switzerland 



How to Grow and Still Stay the Same Shape, Castello di Rivoli, Turin

Fruits and Jungle, König Galerie, London

The Cavern of Lost Dreams (nine characters), Gladstone Gallery, Brussels

Bunnies and ZigZag, Galerie Joy de Rouvre, Geneva

I have Grown Taller from Standing with Trees, Copenhagen Contemporary, Copenhagen

The Morphing Scallops, Gladstone Gallery, 24th St, NYC



Fruits and Bodies, Villa Wenkenhof & Alexander Clavel Prize 2018

When Dinosaurs Ruled the Earth, König Galerie, Berlin

Electric Burst (Lines and Zigzags), Contemporary Art Museum, St Louis

Zigzags and Diagonals, Museum of Contemporary Art, Cleveland



The Primary Fondue Party, Salon Suisse: ATARAXIA / Venice Biennale, Venice 

La Ligne Claire, curated by Samuel Leuenberger at Basement Roma, Rome

Black and White Circles in the Sky, solo exhibition curated by Christoph Doswald, Münsterhof, Zurich

NOW I WON, curated by Chus Martinez, Messeplatz, Art Basel in Basel

10 Rooms, 40 Walls, 1059 m2, Kunstmuseum, Luzern

Solo booth for ArtGeneve, with König Galerie, ArtGeneve 2017, Palexpo, Geneva



The Curves, the Corners and the Machines, Festival International d‘Art Toulouse at le Bazacle, Toulouse, France

Zigzag division, Musée Cantonal des Beaux Arts, Lausanne, Switzerland

Catch The Tail By The Tiger, König Galerie, Berlin, Germany

The Primary Fondue Party, performance organized with BolteLang, Zurich, Switzerland



Sonic Geometry, BolteLang, Zurich, Switzerland

Sonic Geometry, Galerie Art et Essaie, Rennes, France

Story Bumping, Milieu Galerie, Bern, Switzerland

No Melon No Lemon, Gladstone Gallery, New York, USA



Le Passage de L’Etoile, with Guillaume Pilet, Vevey, Switzerland

Fluide Glacial, LISTE, with BolteLang, Basel,

Solo presentation Art Brussels, with Gladstone Gallery, Brussels, Belgium

Easy Heavy III, Haus Konstruktiv, Zurich, Switzerland

Sharp Sharp, David Dale Gallery, Glasgow, Ireland



All Work and All Play, Toshiba House, Besançon, France   

Claudia Comte & Omar Ba, Centre Pasquart, Biel, Switzerland

Wir baden auf der Freianlage, curated by Neville Wakefield, Gladstone Gallery, Brussels, Belgium

If I were a rabbit, where would I keep my gloves?, BolteLang, Zurich, Switzerland

X, Y, Z, Friart, Centre d’Art de Fribourg, Switzerland

Summer Villa Extension, Centre Culturel Suisse, Paris, France



NO LEMON NO MELON, Tripode, Nantes, France

From Zanzibar to Acapulco, with Guillaume Pilet, SALTS, Basel, Switzerland

Trouble Rainbow III, with A. Galiciadis and M. Mousset, BolteLang, Zurich, Switzerland

Vanity Loop, Kunst am Bau, Yverdon Gymnasium, Canton Vaud, Switzerland

From Acapulco to Zanzibar, with Guillaume Pilet, La Rada, Locarno, Switzerland



Scantione-Tensione, Swiss Institute of Rome, Rome, Italy

IBIZA, Milieu Gallery, with Vittorio Brodmann, Bern, Switzerland

Trouble Rainbow II, with A. Galiciadis and M. Mousset, Favorite Goods, Los Angeles, USA

Trouble Rainbow, with A. Galiciadis and M. Mousset, Galleria Marie-Laure Fleisch, Roma, Italy

Estampes, Studio Raynald Métraux, Lausanne, Switzerland



Welcome to Colorful, Lucy Mackintosh Gallery, Lausanne, Switzerland



Rond Point, Darse Gallery, Geneva, Switzerland

You cut but you can’t, with Mélodie Mousset, Galerie 20qmberlin, Berlin, Germany

Naturalisés, collaboration with Tatiana Rihs, Musée Arlaud, Lausanne, Switzerland



Inimitable, Galerie Lucy Mackintosh, Lausanne, Switzerland

Georges abstraction surface air, Bureau des vidéos, Le George, Centre Pompidou, Paris, France

Video projection, Rêves, Window of Swiss Cultural Center, Paris, France



L’Echo, standard deluxe, Lausanne, Switzerland


Group exhibitions


Stretch Marks, projects+gallery, St-Louis, Missouri (USA)

Group Show 2021, Galerie Joy de Rouvre, Geneva (CH)
Solo Summer Group Show II, Solo Houses​, Galería Albarrán Bourdais, Madrid (ES)

The Dreamers, 58th October Salon - Belgrade Biennale (SB)

Môtiers 2021 - Art en plein air, Môtiers (CH)

Ever Seen Never Seen, Akkurat Labs, Berlin (DE)

La sculpture suisse depuis 1945, Aargauer Kunsthaus, Aarau (CH)

Nature of Robotics: An Expanded Field, EPFL ArtLab, Lausanne (CH)

Bunnies & Dogs, Ruttkowski;68 Gallery, Paris (FR)



This Morning, in the Sweet Torpor of the great Forest, is Like Every Morning in the World, curated by Samuel Leuenberger & Claudia Comte, Country Salts, Bennwil, Switzerland

Drawing 2020, Gladstone Gallery, 21st, NYC

The Sunrise Sings, TARMAK, Gstaad

Figures on Ground, Foundation CAB, Brussels

Sculpture Zeitgeist?, Achenbach Hagemeier, Dusseldorf, Germany 



Zone dangereuse, curated by Thomas Zitzwitz, Zidoun-Bossuyt Gallery, Luxembourg

Delirious, Lustwarande, Tilburg, Netherlands



Foundation for Contemporary Arts Benefit Exhibition, Gladstone Gallery, 21st St, New York City

HOLZSCHNITT NOW! XYLON Deutschland und Schweiz mit Gästen, Kunstmuseum Reutlingen

"Exclusively Contemporary" on the occasion of 100 years of the Swiss Society of Engraving, Cabinet d’Estampes, Geneva

20 years Kunst Raum Riehen - The Jubilee Exhibition, Kunst Raum, Riehen

Biennale Gherdeina VI, Ortisei, Italy

100 Jahre Schweizerische Graphische Gesellschaft, Graphische Sammlung, Zurich

UNTITLED (MONOCHROME), 1957-2017, curated by Gregory Lang, Richard Taittinger Gallery, New York City

Hot Saw - Electric Power, New Swiss Performance Now, Kunsthalle Basel



Crib II, curated by Yves Scherer, Galerie 95, Biel

SkulptureKöln #9 "La Fin de Babylone. Mich wundert, dass ich so fröhlich bin!” curated by Chus Martinez, Sculpture Park Cologne

Beneath the Salt, presented by Conglomerate with Joe Clark and Lauryn Youden, Kinderhook and Caracas, Berlin 

Curves and Zigzags, Desert X, Palm Springs



128 triangles and their demonstration, Installation for the Public sector at ArtBasel Miami Beach

The Language of Things, with the Public Art Fund, City Hall Park Lower Manhattan, New York

UM DIE ECKE DENKEN – DIE SAMMLUNG (1986-2016), Museum Haus Konstruktiv, Zurich, Switzerland

Tous les tableaux sont à l’envers, Circuit, Lausanne

/Quiz 2, Mudam Luxembourg, Luxembourg



Christmas show, SALTS, Basel, Switzerland

Des Seins à Dessein, Espace Arlaud, Lausanne, Switzerland

Ligne Aveugle, ISBA, Besançon, France

Full House, Bunk Club at Shanaynay, Paris, France

Architecture & Nature, curated by Simon Lamunière, Domaine de Muy, Contemporary Sculpture Park, France

My Lonely Days Are Gone Part 2, curated by Arturo Herrera, Arratia Beer, Berlin, Germany

Art Imprimé, Triennale 2015, Musee des Beaux-Arts Le Locle, Le Locle, Switzerland

"Pour que vous aimiez quelque chose il faut que vous l'ayez vu et entendu depuis longtemps tas d’idiots." Francis Picabia, Performance at Collection Cahiers d’Artistes 2015, LISTE, Basel, Switzerland

WLGTDWI - a performance evening with Claudia Comte, SALTS, Basel, Switzerland

Môtiers Art en plein air 2015, Môtiers, Switzerland

Gargle/Spit, curated by Kenny Schachter, TBD, New York, USA

Work Hard: Selections by Valentin Carron, Swiss Institute, New York, USA

Reliability of Recognition, BolteLang, Zurich, Switzerland



Elevation 1049, curated by Neville Wakefield, Gstaad, Switzerland

Post-Op. Perceptual Gone Painterly / Du perceptuel au pictural. 1958 – 2014, curated by Matthieu Poirier, Galerie Perrotin, Paris France

BolteLang Stadtbiotop 2014, 8032 Zurich, Switzerland

Bex & Arts, triennale de la sculpture Suisse, Bex, Switzerland

Ars Multiplicata, Kunsthalle Koidl, Berlin, Germany



Post-Mortem, Forde, Geneva, Switzerland

Draft for a particular vision of the future, Bar Babette, Berlin, Germany

Châteaux Secrets, Fondation Ricard, Iles des Embiez

Mixed Message Media, curated by Neville Wakefield, Gladstone Gallery, New York, USA

Harum Scarum, Galerie Blancpain, Geneva, Switzerland

Paraphernalia, Telemark Contemporary Art Center, Skien, Norway



Under 30, Kunsthaus Glarus, Glarus, Switzerland

La jeunesse est un art, Kunsthaus Aarau, Aarau, Switzerland

Tell The Children / Abstraction pour enfant, La Salle de Bain, Lyon, France

If I had 8 hours to chop down a tree, I’d spend 6 sharpening my ax, Kunst Raum, Riehen, Switzerland



Territoires, Bex & Arts, Swiss Sculpture Triannual, Bex, Switzerland

Train Fantôme, Cruise and Callas Gallery, Berlin, Germany

Rock The Casbah, Swiss Institute of Rome, Rome, Italy

20 ans des espaces d’une sculpture, Visarte Vaud, Parc de Mont Repos, Lausanne, Switzerland

Le Fédéral à Semen-Contra, Rotwand Gallery, Zurich, Switzerland

Accrochage Vaud 2011, Musée Cantonal des Beaux-Arts, Lausanne, Switzerland



Jeune Création 2010, Le CENTQUATRE, Paris, France

Minipic, Pauline’s, New York, USA

10 ans du MUDAC, collaboration with Tatiana Rihs, Mudac, Lausanne, Switzerland



I could do that! No, you could’t!, Milieu Gallery, Bern, Switzerland

Kawabanga, Espace Delrue, La Barthoteque, Nantes, France

Condominia, Musée Rath, Geneva, Switzerland

I am by birth a Genevese, Espace Forde, Geneva, Switzerland

I am by birth a Genevese, Vegas Gallery, London, UK

Transit, collective urban exhibition, Renens, Switzerland



Patapsychique, Library of the Swiss Cultural Center, Paris, France

Le Spectrarium, Le Corbusier Pavillion, Cité universitaire, Paris, France

Made by ECAL, Espace lausannois d’art contemporain, Renens, Switzerland

Abstraction-Extension, Fondation Salomon, Alex, France

That’s all Folks!, Chez Popper, Geneva, Switzerland

X, proposed by N. Wagnières, galerie 1m3, Lausanne, Switzerland

Black Diaspora, exposition collective, Galerie Out of this World, Montreux, Switzerland



Weihnachtsmarkt, Milieu Gallery, Bern, Switzerland

Athéne, Claudia, Orlane, Milieu Gallery, Bern, Switzerland



Cabinet Budget, collective exhibition, Atelier 304, Usine, Geneva, Switzerland

Sonal, collective exhibition of sound installations, Arsenic, Lausanne, Switzerland

Sublime, collective exhibition, Atelier 304, Usine, Geneva, Switzerland

Morgenstern, collective exhibition, Château de Morges, Morges, Switzerland

Mini-golf, collective exhibition, Circuit, Lausanne, Switzerland



Accrochage, Vaud 2005, collective exhibition, Musée cantonal des Beaux-Arts, Lausanne, Switzerland

Académie de sculpture, proposition by Pierre Vadi, Atelier 304, Usine, Geneva, Switzerland

Les Urbaines, young videographers at the Cinemathèque Suisse, « Rêves », Lausanne, Switzerland