Exhibitions

Le Voci della Sera, Vistamare, Milan (IT), 2022
Press Release

Geometric Opulence, Museum Haus Konstruktiv, Zurich (CH), 2022

Desert X AlUla, Saudia Arabia, 2022

Tree Line Curve, EPFL Rolex Learning Center, Lausanne (CH), 2021 - 2022

Structure of Life, Novartis Campus, Basel (CH), 2021

The Dreamers, 58th October Salon - Belgrade Biennale, Belgrade (RS), 2021

The Interview Painting Ensemble (mise en scène in 12 Acts), Art Basel Parcours, StadtCasino, Basel, 2021

After Nature, Museo Nacional Thyssen - Bornemisza, Madrid, 2021

Dreaming of Alligator Head, König Digital, König Gallery, 2021

Jungle and Corals, König Galerie, Berlin, 2021

The Sea of Darkness, Kunstraum Dornbirn, Austria, 2020

This Morning, in the Sweet Torpor of the great Forest, is Like Every Morning in the World, curated by Samuel Leuenberger & Claudia Comte, Country Salts, Bennwil, Switzerland, 2020

Corals and Jungle, CLAUDIA COMTE x KÖNIG GALERIE, Kunsttage Basel, Basel, 2020

The Sunrise Sings, curated by Chus Martinez, TARMAK, Gstaad, 2020

Figures on Ground, Foundation CAB, Brussels, 2021

How to Grow and Still Stay the Same Shape, Castello di Rivoli, Turin, 2019 - 2021

Fruits and Jungle, König Galerie, London, 2019

The Cavern of Lost Dreams (nine characters), Gladstone Gallery, Brussels, 2019

Delirious, Lustwarande, Tilburg, Netherlands, 2019

Bunnies and ZigZag, Galerie Joy de Rouvre, Geneva, 2019

I have Grown Taller from Standing with Trees, Copenhagen Contemporary, 2019

The Morphing Scallops, Gladstone Gallery, 24th St, NYC, 2019

“50” Roller stripes form a big zigzag (black on white), Foundation for Contemporary Arts Benefit Exhibition, Gladstone Gallery, 21st St, New York City

The Day that Wood and Matter Wanted to Become Salt Water, 2018. Performance with music by Egon Elliut and dance by Cecilia Bengolea. TBA21–Academy The Current, Chus Martínez, Chiesa di San Lorenzo, Venice, 28-29 September 2018

WOOOW, Biennale Gherdeina VI, Ortisei, Italy, 2018

Morphing Sculpture 1: Donut, Cactus and Snake (Viscosity Range), Biennale Gherdeina VI, Ortisei, Italy, 2018

Fruits and Bodies, Villa Wenkenhof & Alexander Clavel Prize 2018

When Dinosaurs Ruled the Earth, König Galerie, Berlin, 2018

Electric Burst (Lines and Zigzags), Contemporary Art Museum, St Louis, 2018

Zigzags and Diagonals, Museum of Contemporary Art, Cleveland, 2018

Hot Saw - Electric Power, New Swiss Performance Now, Kunsthalle Basel, 2018

KölnSkulptur #9 "La Fin de Babylone. Mich wundert, dass ich so fröhlich bin!” curated by Chus Martinez, Skulpturenpark Köln, 2017

La Ligne Claire, curated by Samuel Leuenberger, Basement Roma, 2017

Black and White Circles in the Sky, curated by Christoph Doswald, Münsterhof, Zurich, 2017

NOW I WON, curated by Chus Martinez, Messeplatz, Art Basel, Basel, 2017

Beneath the Salt, presented by Conglomerate with Joe Clark and Lauryn Youden, Kinderhook and Caracas, Berlin, 2017

10 Rooms, 40 Walls, 1059 m2, Kunstmuseum, Luzern, 2017

Curves and Zigzags, Desert X, Palm Springs, California, 2017

Solo booth for ArtGeneve, with Koenig Galerie, ArtGeneve 2017, Palexpo, Geneva

128 triangles and their demonstration, Installation for the Public sector at ArtBasel Miami Beach, 2016

The Curves, the Corners and the Machines, Le printemps de Septembre, Le Bazacle, Toulouse, 2016

OUI NON, Le Printemps de Septembre, Toulouse, 2016