Le Voci della Sera, Vistamare, Milan (IT), 2022
Press Release
Geometric Opulence, Museum Haus Konstruktiv, Zurich (CH), 2022
Desert X AlUla, Saudia Arabia, 2022
Tree Line Curve, EPFL Rolex Learning Center, Lausanne (CH), 2021 - 2022
Structure of Life, Novartis Campus, Basel (CH), 2021
The Dreamers, 58th October Salon - Belgrade Biennale, Belgrade (RS), 2021
The Interview Painting Ensemble (mise en scène in 12 Acts), Art Basel Parcours, StadtCasino, Basel, 2021
After Nature, Museo Nacional Thyssen - Bornemisza, Madrid, 2021
Dreaming of Alligator Head, König Digital, König Gallery, 2021
Jungle and Corals, König Galerie, Berlin, 2021
The Sea of Darkness, Kunstraum Dornbirn, Austria, 2020
This Morning, in the Sweet Torpor of the great Forest, is Like Every Morning in the World, curated by Samuel Leuenberger & Claudia Comte, Country Salts, Bennwil, Switzerland, 2020
Corals and Jungle, CLAUDIA COMTE x KÖNIG GALERIE, Kunsttage Basel, Basel, 2020
The Sunrise Sings, curated by Chus Martinez, TARMAK, Gstaad, 2020
Figures on Ground, Foundation CAB, Brussels, 2021
How to Grow and Still Stay the Same Shape, Castello di Rivoli, Turin, 2019 - 2021
Fruits and Jungle, König Galerie, London, 2019
The Cavern of Lost Dreams (nine characters), Gladstone Gallery, Brussels, 2019
Delirious, Lustwarande, Tilburg, Netherlands, 2019
Bunnies and ZigZag, Galerie Joy de Rouvre, Geneva, 2019
I have Grown Taller from Standing with Trees, Copenhagen Contemporary, 2019
The Morphing Scallops, Gladstone Gallery, 24th St, NYC, 2019
“50” Roller stripes form a big zigzag (black on white), Foundation for Contemporary Arts Benefit Exhibition, Gladstone Gallery, 21st St, New York City
The Day that Wood and Matter Wanted to Become Salt Water, 2018. Performance with music by Egon Elliut and dance by Cecilia Bengolea. TBA21–Academy The Current, Chus Martínez, Chiesa di San Lorenzo, Venice, 28-29 September 2018
WOOOW, Biennale Gherdeina VI, Ortisei, Italy, 2018
Morphing Sculpture 1: Donut, Cactus and Snake (Viscosity Range), Biennale Gherdeina VI, Ortisei, Italy, 2018
Fruits and Bodies, Villa Wenkenhof & Alexander Clavel Prize 2018
When Dinosaurs Ruled the Earth, König Galerie, Berlin, 2018
Electric Burst (Lines and Zigzags), Contemporary Art Museum, St Louis, 2018
Zigzags and Diagonals, Museum of Contemporary Art, Cleveland, 2018
Hot Saw - Electric Power, New Swiss Performance Now, Kunsthalle Basel, 2018
KölnSkulptur #9 "La Fin de Babylone. Mich wundert, dass ich so fröhlich bin!” curated by Chus Martinez, Skulpturenpark Köln, 2017
La Ligne Claire, curated by Samuel Leuenberger, Basement Roma, 2017
Black and White Circles in the Sky, curated by Christoph Doswald, Münsterhof, Zurich, 2017
NOW I WON, curated by Chus Martinez, Messeplatz, Art Basel, Basel, 2017
Beneath the Salt, presented by Conglomerate with Joe Clark and Lauryn Youden, Kinderhook and Caracas, Berlin, 2017
10 Rooms, 40 Walls, 1059 m2, Kunstmuseum, Luzern, 2017
Curves and Zigzags, Desert X, Palm Springs, California, 2017
Solo booth for ArtGeneve, with Koenig Galerie, ArtGeneve 2017, Palexpo, Geneva
128 triangles and their demonstration, Installation for the Public sector at ArtBasel Miami Beach, 2016
The Curves, the Corners and the Machines, Le printemps de Septembre, Le Bazacle, Toulouse, 2016
OUI NON, Le Printemps de Septembre, Toulouse, 2016